How to hook up krk rokit 5 monitors. How to set up krk rokits
That way, any effects from reflections should be similar—balanced—at the sweet spot.
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But be careful to balance the output of the sub to the monitors. The console itself or tabletop, in smaller rigs —right in front of the listener, between the monitors and sweet spot—can be a significant source of these undesirable strong, strong reflections.
Fortunately, most speakers sold as studio monitors shoot for a more desirable neutral balance, capable of providing a proper reference for decision making. Weaker, longer reflections—like from the back of the room—can provide enough overall ambience to make for a comfortable listening environment without too much interference.
Conversely, speakers that are placed too close together may lead you to overly wide panning choices—when the resulting mix is heard on other systems, mix elements may be bunched together in the left and right speakers and the center, with gaps between, sounding like one of those old mono 60s mixes that was turned into fake stereo—again, not properly making use of the stereo sound field.
Typically, this means the sub will provide frequencies below 80 Hz or so, adding up to an octave to the frequency response of your average flirty saleswoman store monitor.
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But while this may make for an exciting, enjoyable listening experience, if you consistently monitor at such loud levels above 90 dBsplyour decisions about how to set the level of bass in the mix will only be valid at those loud listening levels.
Avoid Poor Angles Positioning the monitors either too close together or too far apart can mess up your stereo panning decisions. A flawed or problematic setup—even with good speakers—can get in the way of achieving the best recordings and mixes.
Avoid Asymmetry Even if you avoid backing the monitors up against the wall, reflections from room boundaries will still affect the sound. People who play your mixes at lower levels will perceive a lack of bass, resulting in exactly the opposite of what you heard—much weaker bass, and a thin, sometimes screechy, mix.
Fig 1 Low-and High-Frequency adjustments on the rear panel of a studio monitor.
Fig 3 Rear-panel speaker controls for different speaker placements. Many people are familiar with the Fletcher-Munson curves, which describe an aspect of human hearing.
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Speakers that are too widely spaced may provide a stereo image with a hole-in-the-middle. Here are 6 suggestions—things to avoid—to get the best results.
Fig 4 Stereo monitors symmetrically positioned between side walls. One of the most common flaws of small- or home-studio mixes is either too much or too little low end, or uneven bass, caused by EQing to compensate for irregularities that are unique only to the room and monitors in use during mixing.
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Avoid too Much Sub One more extra suggestion. Avoid the Hype Consumer speakers are often designed to make everything played through them sound as good as possible. Fig 2 Free-standing placement L vs wall-placement R of studio monitors. Avoid Excessive Levels There are a number of reasons why consistently monitoring at too loud a level is not a good idea.
There are plenty of suitable—even excellent—studio monitors out there, at all sizes and price points, but setup is just as critical as choosing a good pair. While you may not be able to completely avoid all such reflections as attempted with certain high-end studio designsyou can try to minimize them.
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If one speaker is closer to the nearest side wall than the other, you may be misled into reducing the level or ambience of mix elements panned to that side, or your panning placement may be skewed to one side, making the mix sound off-centered when heard on other systems, or in headphones.
Our ears are more sensitive to high end and, especially, to low end, at higher listening levels—in other words, we hear a little more treble and a lot more bass when the music is cranked up! But this room-enhanced bass will have an uneven frequency balance, and can trip you up when making critical decisions about low-end EQ, and the balance of key mix elements like kick drum and bass guitar.
However, this is not the goal for studio monitors.