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In Decemberthe series' website was revamped, and the online song voting was discontinued in favor of publishing the Hot AC chart. Stevens then gave a rundown of how many songs had been played over the series' entire run to that point, with a final total of different chart toppers, including the one he was about to play as it returned to the top of the chart that week: However, he closed the show by telling the audience to catch him on the television show America's Top 10 and did not plug the following week's AT40 since December 19,he lauren hi5 dating site always plugged both during his signoff.
Songs would be removed regularly from within the top 15, seemingly regardless of the number of weeks they had spent on the chart. The return coincided with another modification in the recurrent rule; songs would be removed below 25 after three consecutive weeks without a bullet an increase in radio plays.
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Predicting next week's 1 song: This chart had more mainstream hits but fewer urban, dance and rap songs. On the first show with Ryan Seacrest, this led to several older songs reappearing after having dropped off many weeks earlier.
It also gave Chancellor the rights to the historic name as Kasem signed over his rights to the branding. The 70's shows that were originally produced in mono are being converted to true stereo by Ken Martin. Casey's final AT40 show, the th in the series, aired on August 6, Perhaps top twenty countdown ryan seacrest dating, considering the circumstances, the song was " Happy Trails ".
The second song in the segment would usually be introduced by Kasem with a brief story connected with the song, which could be about its performer, its composer, or a random bit of trivia. Many commercial breaks generally top twenty countdown ryan seacrest dating a singing jingle at the start and end of each one, known as a "split logo".
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These songs would generally only be aired in brief snippets during the show. Kasem would frequently announce during the show that Billboard was the only source for the countdown. The multiple station mentions became a regular feature in ; prior to then, only one station was mentioned per hour.
While using these charts worked well for the first half of the s, as music changed during the decade and disco became popular on the charts, some rock stations began to drop the show because of complaints from program directors that AT40 was playing too many songs not normally heard on their stations.
Competition[ edit ] American Top 40 has faced numerous competitors since its debut in Here is an example from the week of October 8, AT40 was also expanded to social media through Twitter and Facebook where listeners from around the world will request a song to be included in the AT40 Extra segment, as well as their own mobile application which is available for free download on the Apple AppStore for iOS devices and on Google Play for Android devices.
Kasem told the New York Times in "I accentuate the positive and eliminate the negative. As usual, the 2 song on the chart led it off; that song was " Another Night " by Real McCoywhich had been the 1 song one week earlier. One solution for the AT40 producers was to air frequent specials at least three or four times a year that concentrated on the classic music of the past, such as Rock in the Movies and Top Hits of the Seventies.
Many of the stations airing AT40 dropped it in favor of Casey's Top 40, causing another significant drop in listenership. Original host Casey Kasem had acquired the rights to the name and branding of his creation, but found Westwood One unwilling to exploit them.
When Kasem relaunched the show inhe brought this feature back albeit with the chart the show was currently using. However, he left Westwood One toward the end of February and gave no notice that he would not be back. The event began with a weekend long marathon of original shows, with AT40 then being added as a regular show on two of XM's Decades channels, " The 70s on 7 " and " The 80s on 8 ".
American Top 40
The show quickly gained popularity once it was commissioned, and expanded to a four-hour-program on October 7,to reflect the increasing average length of singles on Billboard's Hot chart. On October 21,American Top 40 began using an unpublished chart on a weekly basis for the first time in its history.
The very first show featured the very last time both Elvis Presley and The Beatles had songs simultaneously in the Top These charts were often close to Billboard's, but AT40 would use a mid-December to early-December time period while Billboard's survey year varied from year to year.
The following month, the show resumed mentioning some of its affiliates around the world during the show.
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Stations tended to specialize in only one or two of these formats and completely ignore the others. Probably a chart first for one individual. To date, the only re-aired classic AT40 programs that featured a host other than Kasem are the shows of March 25, with Dick Clark as host, and September 12, with Gary Owens as host.
But the feature was phased out again by the end of During this time, a few songs made very high debuts, including two that almost debuted in the 1 spot: The final song predicted, on the December 8, broadcast, was " The Most Beautiful Girl " by Charlie Richwhich was 1 the next week.
By the time Kasem's last show aired, the show had gone back to using Mediabase's charts.
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Each song was heavily promoted by Kasem and contained a story about the artist or some fact making it relevant to the contemporary audience. The chart was widely regarded as the industry standard for tracking the popularity of singles, and was thus a natural choice to be used.
Later still, the countdown would use what was called a "No Nuttin'" gimmick that drew criticism; at various points of the show, a song would start immediately after the jingle for its position on the chart was played and Stevens would not offer any commentary until it concluded.
Stevens then took a moment to thank the listeners for their support over the previous twenty-four plus years and played one last Long Distance Dedication, sent by him to the fans.
The show began as a three-hour program written and directed by Bustany, counting down the top 40 songs on Billboard's Hot Singles chart. Although Kasem would eventually be taken to court by his former syndicator, the signing enabled him to reintroduce the American Top 40 name and brand to a modern audience.
The show was syndicated by Premiere Radio Networks. This was especially common for the first song played in each hour of the show, but was usually not done for the 1 song which was usually introduced with a drum rollor for songs preceded by a story.
In MarchPremiere Radio Networks announced that "American Top 5," a condensed daily top-5 countdown, would begin airing as part of the daily radio program On Airalso hosted by Seacrest.
The "number" jingles were updated and re-recorded from time to time, and by the mids, the show began using two sets of "number" jingles: He knew, however, that it was going to take some time before a listener wrote in with a request and let the process proceed organically.
Even his sign-on and sign-off music became popular, as " Shuckatoom " composed by James R.
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